2026-03-14T17:20:43Z https://kit.repo.nii.ac.jp/oai

oai:kit.repo.nii.ac.jp:02000723 2026-01-28T07:49:35Z 1753926445027:1753929866078:1753930737406

Reconsidering Modern Art Theory：　Reading Richard Shiff's “Digital Experience in Modern Art” 永井, 隆則 Richard Shiff Modern Art Theory Richard Shiff’s “Digital Experience in Modern Art” first appeared in　Les Cahiers (No.66,Winter 1998) as the text of a lecture he delivered in Paris. Later, he was invited to Japan by the Japan Foundation and　delivered a similar talk at the Kyoto Institute of Technology on September 22, 2001. The text I refer to below is a different version　that was rewritten for a Japanese audience. Along with the Japanese　translation, I have included a series of related notes on the topic.　In short, Shiff’s text is a theory of modern art for the　post-post-modern era. In it, he touches on several of basic disputes　related to modern art that have arisen between the end of WWⅡ and　today, To a few of Shiff’s main points, I have supplemented my own　comments, tried to place them in a context and attempted to provide　additional thoughts on modern art theory. 京都工芸繊維大学　工芸学部研究報告　第５１巻　人文(2002) pp.67-76 Made available in DSpace on 2008-05-14T05:20:09Z (GMT). No. of bitstreams: 1 NAGAI-2002-1.PDF: 1416235 bytes, checksum: 14a81288854f398b70acee8e4bc533d4 (MD5) Previous issue date: 2008-05-14 http://purl.org/coar/resource_type/c_6501 2003-03-01 VoR 76 67 京都工芸繊維大学　工芸学部研究報告　人文 51 http://hdl.handle.net/10212/1726 https://kit.repo.nii.ac.jp/records/2000723 eng open access